Archive for October, 2011

Big Pooh has conjured up a whopping new remix with some big names to go along with it. “They Say,” the most recent single released from Pooh’s upcoming album, Dirty Pretty Things, gets a once-over by producer Focus…, along with some stellar guest verses from two rappers who have spent much of their now legendary careers unjustly overshadowed, namely, Phife Dawg of A Tribe Called Quest and T3 of Slum Village.

“I wanted to do a remix that felt like when Pete Rock or DJ Premier used to remix records, give it a whole new feel,” says Big Pooh. “As I was listening to the track and thinking about the message, I reached out to two legends from legendary groups who’s contributions and skills may have also been overlooked.” With Big Pooh’s first verse untouched, the remix moves on to Phife’s honest dialogue, sparring with the opinions of music fans who have may doubted his skills as a solo artist. T3, who closes out the track, offers his own scathing bars. For his part, Focus… doesn’t disappoint, flipping the Cali-vibe of the original in favor of some classic horn chops of heavy drums, swapping out Choklate’s singing in lieu of some sharp scratching that serves to keep things entertaining between verses.

Download “They Say (Legendary Remix)

"I compete to win though I lose myself / In a penthouse room, with a view from hell"

Never Was Yours is a stark look at life’s often unforgiving path.  The  recognition of everything’s impermanance is reflected upon throughout the tracks lyrical display of wisdom.   Has-Lo tackles aging, disapointment, loss, financial woes, and the devils deals we make to attain success, all with a stoic’s calm and unflinching eye of a narrative reporter.   Underneath Has’ heavy lyricism, Kev Brown kicks another Low Budget classic.  Kev’s track features a funky guitar chop, minimal drum programming, and an atmospheric vocal sample to complete that completes the transformation. I must say, I’m really liking Has-Lo’s music.

 

With the release date of Saukrates’ upcoming EP, Season One, rapidly approaching, the godfather of Canadian hip-hop is unleashing his new single, “Megaman,” to the masses. The man that helped kickstart the successes of Drake, Nelly Furtado, and Noah “40” Shebib was recently featured in Nike’s ALWAYS ON 24/7 campaign with his song “Say I,” also off of Season One, which is currently available for purchase via Frostbyte and eOne.

Coming off the heels of his previously released single, “Drop It Down” which features his longtime friend and collaborator, Redman, “Megaman” is a dizzy, electro joint that celebrates the hype of 80’s synth-pop. The lyrics take the listener into the mind of Soxx at the club, pounding potent shots that give him the confidence and vigor of a prize fighter. “Just how Maximus from the movie Gladiator screamed, ‘Hold the line!’ you have to stick to your guns and prove yourself,” says Saukrates. “And that applies to both men and women!”

Listen to and download “Drop It Down”

 

Following the release of lead single “Gotta Get Paid (Remix),Constant Deviants are back with both a new song and the official release date for their forthcoming mixtape. Consisting of emcee M.I. and producer DJ Cutt, Constant Deviants are excited to announce a release date of November 6th for their upcoming Platinum: The Mixtape, which will serve as a preface to their forthcoming Diamond album, and in continuing to hold fans over until next month’s release, the duo is letting loose another brand new track, “Fulton Street.”.

“This song started out as a freestyle that we put on YouTube,” explains M. I. when speaking on the inspiration behind the creation of the track. “Our audience fell in love with it, so we added a hook and a second verse to complete it.” Pulling the production from a “vault” of beats, the tracks pulls together a collage of ambient chops, mixed with the vocal samples and DJ cuts, create the perfect plateau for M.I.’s lyrics to shine through on a song that, in what is easily becoming the standard for Constant Deviants, “captured the feeling of ‘The Golden Era’ while keeping it fresh.”

Download Constant Deviants’ “Fulton Street”

The song, produced by Kudie Fresh and featuring R&B chanteuse Chokolate on the hook, kicks things off with an innately west coast-vibe; a mix of staccato strings, heavy bass, vocal chops, and synths create a fittingly raw backdrop for Pooh’s aggressive raps as he rebukes naysayers and shakes off hanger-on’s. “Get it done anyway/ Fuck what them people say/ As we look around, notice who ain’t with me here today,” raps Pooh, before exclaiming, “My circle getting small, my legend growing bigger/ And I’m yet to reach my apex, go figure/ All the respect that I’ve accumulated/ You could times that by 10 and it’s understated.”

Download “They Say”

Constant Deviants, consisting of emcee M.I. and producer DJ Cutt, are excited to release “Gotta Get Paid (Remix).” The track serves as the lead single from their upcoming Platinum: The Mixtape, which will serve as a precursor to their forthcoming album, Diamond, and will be released via their Six2Six label and offered to fans for free download.

This part-Baltimore, part-NYC duo got their start in 1995, and five years later, M.I. was signed to Arista Records and brought Cutt on board as his sole producer. Since then, they’ve worked with the likes of N.O.R.E., Rick Ross, and Jay-Z’s Roc-A-Fella Records. Never ones to sit still, the Deviants decided to start their own record label, Six2Six Records, in 2009, with the intention of cultivating their signature sound. Enter Constant Deviants’ new release, Platinum: The Mixtape. The seventeen-track project is stacked with a slew of freestyles from M.I as he raps over industry beats along with 2 original exclusives.

“Gotta Get Paid (Remix),” a flip of a song that will ultimately appear on Diamond, finds CDS teamed up with Spain’s own D Cut Love, which resulted in a unique collaboration stemming from an artist-fan connection. “Being that we have such a personal relationship with our audience, we like to give them a chance to become a part of hip-hop history,” says M.I. “D Cut Love is one of the dopest producers I’ve heard from overseas.”

Despite the seemingly commonplace title, “Gotta Get Paid (Remix)” is more about CDS achieving financial enlightenment than about materialistic excess. “It explains the feeling of doing music your whole life, and making the decision to stop ‘shopping for a deal’ and finally selling your product,” explains M.I. Almost unrecognizable from the original, the remix track features M.I.’s laid-back lyrical flows over a cushy and soulful synth chops, not to mention a well-placed KRS-One vocal sample on the hook.

Download “Gotta Get Paid (Remix)